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I’ve found the best way to narrow it down is to select 35 images and then show it to friends and family and let their instincts help you.Īnother important thing to remember is that it is always best to go with the more natural poses. Choosing 3-5 images out of 500 from a photoshoot is hard. Even with the best retouching methods, if the right photo to edit wasn’t chosen, the results won’t be exciting or pleasing to the eye. The importance of it is often overlooked. The purpose of the methods I'm about to share is not to change the photos, rather to enhance it.Ĭulling images is simple. It will not change a bad photo into an excellent photo. Editing an image will only take a great photo over the edge.
![portrait retouching fstoppers portrait retouching fstoppers](https://cdn.fstoppers.com/styles/full/s3/media/2015/11/_dsc0521.jpg)
If you would like to learn more about Beauty Photogrpahy and Retouching with me, join me and our big Fstoppers family at the Fstoppers Workshops in May 2015.Another quick thing I'd like to point out is the false concept that "it's all about the editing". Hopefully, you will learn something new and exciting from my explanation too. I think I have found some answers and I am happy to share them with you. Please remember I am not a biology specialist or beautician, I am only a female beauty photographer and retoucher. I have put together this video in an attempt to explain what it is that makes female faces look less attractive, so that we know what it is that we need to be looking for to minimize or eliminate when retouching a female portrait or a beauty image and make those faces look fresh, youthful and beautiful.
#Portrait retouching fstoppers pro
When I started working on my new retouching video training "From Amateur to Pro in a Week", I decided that I had to do my research and find out why the retouching decisions that I had been making always worked and pleased my clients.
#Portrait retouching fstoppers how to
And since I had been always relying purely on what I thought looked good when retouching, I did not know how to explain my tactics to my students. When I started teaching retouching I realized that even after I explained how specific tools and techniques worked, most of my students would not know what they should use them for to make a female face more attractive in post-production. It almost turned into an obsession - I would pull out pages in magazines while waiting for my hairdresser appointment in a salon. I continued collecting magazine covers, photographs, illustrations and even business and post cards if they contained inspiring visuals. That was the beginning of my Visual Journal that may have caused the big changes in my life a decade and a half later. I carefully cut the photos out and glued them into a large notebook.
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When my parents suggested I start getting rid of old issues, I went through them and torn out the pages with photographs I liked. But as any teenage girl I was in love with glossy fashion and beauty magazines and I managed to collect big piles of various titles over the years. My photography and retouching preferences and taste have changed a million times since then, as I kept improving my technical skills, but the problems and imperfections that I was attacking in almost every single image stayed the same. I had never been taught by anyone, and I had not taken any human anatomy classes for artists before I started retouching. I intuitively targeted specific areas and imperfections when retouching faces, and I must have done it well, because, even despite the lack of technical knowledge back then, I managed to make all my clients and models happy with my manipulations.